Mandy is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ Male identity.

The destinies of hard-luck lowlifes slowly converge and come crashing down: Jung-man barely gets by working at a sauna and taking care of his sick mother until he finds a bag full of cash in the locker room; Tae-young is in trouble after his girlfriend runs away with the money he borrowed from a loan shark. Soon, a dead body mysteriously turns up; Mi-ran, caught between her husband’s violence and a dead-end job as a bar hostess, she finds a young lover, Jin-tae who offers to kill her husband… And now their dog-eat-dog game starts.

Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink in ‘the Bathtub’, a southern Delta community at the edge of the world. Wink’s tough love prepares her for the unraveling of the universe – for a time when he’s no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack – temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink’s health fading, Hushpuppy goes in search of her lost mother.

Hammer Film’s follow-up to the successful One Million Years B.C. is set in an ancient past when humans and dinosaurs co-exist. Athletic cavewomen and hairy men wander around, grunting, sweating and occasionally sacrificing evil blonde babes to the sun in return for protection from stop-motion beasts. The fun-loving, energetic Sanna (Victoria Vetri), one of the sacrificial offerings, manages to escape during a ritual and joins another tribe where she says ‘necro’ a lot and falls in love with a surprisingly hairless guy.